One by one, whenever someone straggles behind as the staircase lights turn red to instigate movement upward, “Mother” claims another victim. On the neverending staircase, Stanton’s men and women are pursued by “The Mother” (Rachel Warren): a demonic reimagining of their deceased prisoner. Well, the Bastards erased the wrong loose end this time. Men corrupted by power, blindly listening to passed-down objectives, abandoning any sense of humanity. Ruthless commander Will Stanton (Shayne Ward) barks execution orders with no regard for mercy, highlighting the repulsive realities of combat. From the minute Kia fires under protest, we understand why Hell’s Bastards will be held accountable. The Ascent is about war crimes innocent lives caught between feuding factions. It’s not that Paton’s screenplay has nothing to say. Such a seemingly inconsequential choice that seals the fates of Hell’s Bastards as they find themselves reliving their last mission in some time-loop punishment gauntlet. After the Bastards reach extraction, transports unload at a base-like complex. Kia Clarke (Samantha Schnitzler) pushes back against orders but ultimately pulls the trigger on a hostage.
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It’s simplistic, but as the film’s military squadron ponders how to save their souls from eternal cardio exercising, maybe a bit too simplistic as soldiers must weigh their past sins heavily to release themselves from an otherwise repetitive fate.Īn elite special operatives team dubbed “Hell’s Bastards” have a simple mission: collect data amidst a civil war, leave no survivors. Of all the ways cinema has represented purgatory, Paton’s Sisyphean portrayal hits upon both monotony and torture by issuing a prime directive. Imagine if that ascension never ended, and you’ve got – in a sense – Tom Paton’s The Ascent. We climb towards our destination one dug-in platform at a time, huffing and puffing the farther we proceed. To survive, they must revisit their past sins if they ever want to get off. The unit soon find themselves trapped on a never-ending stairwell forced to climb or die.
Special ops squad “Hell’s Bastards” are sent to infiltrate a civil war to retrieve intel.
Starring Rachel Warren, Toby Osmond, Shayne Ward, Simon Meacock, Sophie Austin, Samantha Schnitzler, Bentley Kalu, Alana Wallace, and Spencer Collings.
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